The Stooge Full Movie Part 1

The Three Stooges - Moe Rage Part 1 - YouTube. Detailed information about The Three Stooges movie shorts made. Washington D. is full of them,it would have been. · '/videos/search?format=&mkt=en-us&q=The+Stooge+full+movie+part+1&ru=%2fsearch%3fformat%3d%26mkt%3den-us%26q%3dThe%2bStooge%2bfull%2bmovie%2bpart%2b1&view=detail&mmscn=vwrc&mid=0A1E6BFB9748C2E5D2290A1E6BFB9748C2E5D229&FORM=WVFSTD' h='ID=SERP,5860.1'>Watch video· The Brotherhood of the Bell (1970) part 1 by Jo Jo Smitty. 1,813 views. 43:31. THE THREE STOOGES FUNNIEST MOMENTS II more.

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Three Stooges Documentary Movie

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THE THREE CHORD TRAIN TO HELLOther life changing discs too– Howlin’ Wolf’s Evil, the Flamin’ Groovies’ Flamingo and Teenage Head, I’m Jimmy Reed, The MC5’s Back In The USA, Little Walter’s Best Of and Hate To See You Go. Raw Power would eventually find its way there, although by then I’d already worn out two copies. I was already well aware of the Stooges from the ominous photos of them I’d seen in Circus and Creem, but that hardly prepared me for that night in August of 1. It was the infamous broadcast from the Cincinnati Pop Festival, aimed at the newly- defined demographic– the Woodstock Generation. In a truly clueless network moment of admirable idiocy, it was hosted by two goofy sportscasters (dressed in blue polyester blazers with the network logo sewn on their pocket) whose attempts at colorful commentary made them both sound like dueling Fred Willards. But the Ohio audience was less the flower children of Woodstock, and more the “lumpen hippie” (to use John Sinclair’s phrase) of the lower mid- west. For those who’ve never been there, Cincinnati sits at the north bank of the Ohio River, across from Kentucky, and seems like the spot where every toothless hillbilly headed north for a job ran out of gas and settled in.

These kids were a decidedly blue collar bunch, and they liked their rock & roll hard, loud and ugly.“From the other side of the TV screen, I felt like I’d been sucked into the O- mind. And could never leave.”I don’t remember the other bands except a pre “I’m- Eighteen” Alice Cooper, covering the stage in feathers, sheets and feedback, until some weisenheimer from the crowd pied Alice in the face. Eighteen months later they’d be the biggest band in the land. They were great, and would define a certain style of juvenile delinquent R& R in the coming years, but Alice Cooper was tame stuff compared to what followed. Which was without a doubt the most riveting five minutes of rock & roll that had ever been presented on network TV.

There they were, with no introduction, in all their glory– Iggy, dressed in silver elbow- length gloves, torn jeans and a dog collar, was practically foaming at the mouth. As Ron Asheton churned out the propulsive riff to “TV Eye,” Iggy spun on his Cuban heels, lets out a scream and then broke out a few moves he stole from James Brown on the TAMI Show. Chills went right up my spine.“That was the moment that I knew I’d never live a straight life; that I’d never wear a suit and tie to work. After seeing the Stooges, I knew there was another life out there somewhere…”As Iggy dove into the audience the bewildered sportscasters, following the action in the booth, reported “there goes Iggy right into the crowd… we’ve lost audio on Iggy,” and then wouldn’t you know it, the network nitwits cut to a fucking commercial! The longest commercial break of my life. When they returned one jarhead reported, “Since we broke for a commercial Iggy’s been in and out of the audience three times.” By this time The Stooges were blasting away at their masterpiece “1.

Cut to a hippie girl actually sketching Iggy from the crowd (no cameras on your I- Phone in those primitive times), then Iggy’s suddenly in the crowd (“we seem to have lost him”), his left glove is gone, he’s up on their hands like a snot- nosed, teenage messiah, smearing himself with peanut butter (Stiv Bators no where in sight), one sportscaster duly noting– “That was peanut butter!” The clip ends with roadies pulling the Ig back to the stage. From the other side of the TV screen, I felt like I’d been sucked into the O- mind.

And could never leave. That was the moment that I knew I’d never live a straight life; that I’d never wear a suit and tie to work. After seeing the Stooges, I knew there was another life out there somewhere…It took almost a year to the day to track down their records, when I scored ‘em both for two bucks plus tax. Funhouse was like getting hit in the head. Their first LP puzzled me at first (“Oh my and a boo- hoo…” was this guy serious?).

But they reminded me enough of my favorite 4. Talk Talk” by the Music Machine (they wore leather pants, vests and one elbow length leather glove each), “Pushin’ To Hard” by the Seeds, and “You’re Gonna Miss Me” by the 1.

Floor Elevators (a top ten hit in South Florida where I grew up) that I kept coming back to it until a half dozen plays later I decided it was genius. Needless to say, the other kids at school didn’t care much for the Stooges (even the ones that liked Black Sabbath and Alice Cooper). It’s not that kids had never heard of the Stooges— they were well- known, infamous in fact— but that kids hated them. Not like today where every lame assed “indie” rocker has to give ‘em lip service (“they really influenced my music…”) wouldn’t you like to stick a copy of Funhouse in their mouth? But I was possessed, pouring over Circus, Rolling Stone, Fusion, and of course Creem magazine for any mention of their name, or their activities. I discovered intriguing photos, like Iggy covered in silver glitter at the Electric Circus, or a new double guitar lineup photographed by Peter Hujar (new guy James Williamson sans pants).

A few articles, a few reviews, then nothing. They were gone, up in smoke. Blame it on the drugs, the indifference of the industry or the hostility of the audiences, the truth is kids had gone lame. In the few years since 1.

The Stones’ Aftermath and James Brown Sings Raw Soul, radio was now shoving CSNY, Chicago and prog rock down people’s throats. The Stooges never really had a chance. But you can’t keep a guy like Iggy down for long. From l to r: Tommy “Zeke” Zettner, Bill Cheatham, Ron Asheton, Scott Asheton, Iggy Pop. Photo by Peter Hujar.

From the Collection of Gillian Mc. Cain and James Marshall. A year later Iggy was back in the news, championed by a new kid from England named David Bowie (who I’d seen performing as Ziggy Stardust to a few hundred spaced out freaks at Pirates World Amusement Park around the same time). Watch Online Watch Breaker Morant Full Movie Online Film. Iggy in England giving interviews (“where I come from, I’m a legend”) recording a new record with a revamped version of the Stooges. Photos of their one U. K. gig– a double bill with the Flamin’ Groovies at the King’s Cross Cinema had filtered back to the states– Iggy in silver leather pants, silver streaked hair and black lipstick.

New guitarist James Williamson looking menacing in front of a Marshall stack. Looking back, rock & roll itself nearly made a brief comeback in the summer of ’7. Stones’ Exile On Mainstreet and their summer tour, and the all time summer classic “School’s Out” by Alice Cooper.

T. Rex had topped the charts with “Get It On,” Mott The Hoople were on the charts and even Elvis’ was rockin’ again with “Burnin’ Love.” Surely, the world was now ready for the Stooges. But rock & roll’s resurgence was brief, and the world was not ready for the Stooges three chord train to hell (as I once heard a prog rock fan describe them).

Raw Power (not to mention the 4. Search & Destroy” b/w “Penetration,” which I bought back then and still treasure) was finally released in the winter of ’7. I remember buying the only copy at my local record store, Sid’s, and tearing ass home on my bike to play it. That was nearly forty years ago, and it hasn’t left the turntable since.

It got great reviews but except for a gig in Detroit, and short residencies at the Whiskey in L. Watch Bare Knuckles Download more. A. and Max’s in NYC, the Stooges couldn’t get a tour (a report in Creem’s gossip column sticks in my head, both T.

Rex and Humble Pie nixing the Stooges as a possible opening act, can’t blame ‘em, who’d want to follow Iggy?). Radio wouldn’t touch Raw Power.

Fourteen years later Iggy would tell me “I knew FM disc jockey’s wouldn’t be sayin’ that was the Stooges with ‘Raw Power’ and before that we heard Rod Stewart with ‘Maggie May…’” and it too landed in my beloved 9. Stooges’ discography.