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Woody Allen - Wikipedia. Woody Allen. Born. Allan Stewart Konigsberg(1. December 1, 1. 93. Brooklyn, New York, U. S. Other names. Heywood Allen. Occupation. Actor, writer, director, comedian, playwright, musician.

Years active. 19. Spouse(s)Partner(s)Children. Relatives. Letty Aronson(sister)Awards. See Awards and Nominations. Comedy career. Medium.

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Stand- up, film, television, theatre, books. Genres. Observational comedy, satire, black comedy, self- deprecation, deadpan. Signature. Websitewoodyallen.

Heywood "Woody" Allen[1] (born Allan Stewart Konigsberg; December 1, 1. American filmmaker, writer, actor, comedian, and musician whose career spans more than six decades. He worked as a comedy writer in the 1. In the early 1. 96. Allen began performing as a stand- up comedian, emphasizing monologues rather than traditional jokes. As a comedian, he developed the persona of an insecure, intellectual, fretful nebbish, which he maintains is quite different from his real- life personality.[3] In 2.

Comedy Central[4] ranked Allen in fourth place on a list of the 1. UK survey ranked Allen as the third greatest comedian.[5]By the mid- 1. Allen was writing and directing films, first specializing in slapstick comedies before moving into dramatic material influenced by European art cinema during the 1. He is often identified as part of the New Hollywood wave of filmmakers of the mid- 1.

Allen often stars in his films, typically in the persona he developed as a standup. Some of the best- known of his over 5. Annie Hall (1. 97. Manhattan (1. 97. Hannah and Her Sisters (1.

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Crimes and Misdemeanors (1. In 2. 00. 7 he said Stardust Memories (1. The Purple Rose of Cairo (1. Match Point (2. 00.

Critic Roger Ebert described Allen as "a treasure of the cinema".[8]Allen has received many accolades and honors throughout his career. He has won four Academy Awards: three for Best Original Screenplay and one for Best Director (Annie Hall). He also garnered nine British Academy Film Awards. His screenplay for Annie Hall was named the funniest screenplay by the Writers Guild of America in its list of the "1. Funniest Screenplays."[9] In 2. PBS televised the film biography Woody Allen: A Documentary on the American Masters TV series.[1. Early life. Allen as a high school senior, 1.

Allen was born Allan Stewart Konigsberg[2] in Brooklyn, New York. He and his sister, Letty (b. Midwood, Brooklyn.[1. He is the son of Nettie (née Cherry; November 8, 1. January 2. 7, 2. 00.

Martin Konigsberg (December 2. January 8, 2. 00. His family was Jewish, and his grandparents immigrated to the US from Russia and Austria and spoke Yiddish, Hebrew, and German.[1. Both of Allen's parents were born and raised on the Lower East Side of Manhattan.[1.

His childhood was not particularly happy; his parents did not get along, and he had a rocky relationship with his stern, temperamental mother.[1. Allen spoke German quite a bit in his early years.[1.

He would later joke that when he was young he was often sent to inter- faith summer camps. While attending Hebrew school for eight years, he went to Public School 9. Isaac Asimov School for Science and Literature)[1. Midwood High School, where he graduated in 1. At that time, he lived in an apartment at 9.

East 1. 4th Street.[2. Unlike his comic persona, he was more interested in baseball than school and his strong arms ensured he was first to be picked for a team.[2.

He impressed students with his extraordinary talent at card and magic tricks.[2. For pay, he wrote jokes (or "gags") for agent David O.

Alber, who sold them to newspaper columnists. At the age of 1. 7, he legally changed his name to Heywood Allen[1] and later began to call himself Woody Allen. According to Allen, his first published joke read: "Woody Allen says he ate at a restaurant that had O. P. S. prices – over people's salaries."[2. He was then earning more than both parents combined.[2.

After high school, he attended New York University, studying communication and film in 1. Motion Picture Production". He later briefly studied film at City College of New York in 1. Later, he taught himself, rather than in the classroom.[2.

He eventually taught at The New School. He also studied with writing teacher Lajos Egri.[2. His status before the Selective Service System was "4- F", a medical deferment, although he later claimed his actual status was "4- P, hostage".[2. Career. Comedy writer. Allen began writing short jokes when he was 1. Broadway writers to see if they'd be interested in buying any.

He also began going by the name "Woody Allen."[2. One of those writers was Abe Burrows, coauthor of Guys and Dolls, who wrote, "Wow! His stuff was dazzling." Burrows then wrote Allen letters of introduction to Sid Caesar, Phil Silvers, and Peter Lind Hayes, who immediately sent Allen a check for just the jokes Burrows included as samples.[2. As a result of the jokes Allen mailed to various writers, he was invited, then age 1. NBC Writer's Development Program in 1.

The NBC Comedy Hour in Los Angeles. He was later hired as a full- time writer for humorist Herb Shriner, initially earning $2.

He began writing scripts for The Ed Sullivan Show, The Tonight Show, specials for Sid Caesar post- Caesar's Hour (1. By the time he was working for Caesar, he was earning $1,5. Caesar, he worked alongside Danny Simon, whom Allen credits for helping form his writing style.[2. In 1. 96. 2 alone he estimated that he wrote twenty thousand jokes for various comics.[2. Allen also wrote for the Candid Camera television show, and appeared in some episodes.[3. Along with that show, he wrote jokes for the Buddy Hackett sitcom Stanley and The Pat Boone Chevy Showroom.

And in 1. 95. 8 he cowrote a few Sid Caesar specials with Larry Gelbart.[2. After writing for many of television's leading comedians and comedy shows, Allen was gaining the reputation for being a "genius", says composer Mary Rodgers. When given an assignment for a show he would leave and come back the next day with "reams of paper", according to producer Max Liebman.[2. Similarly, after writing for Bob Hope, Hope called him "half a genius".[2.

His daily writing routine could go as long as fifteen hours, and he could focus and write anywhere necessary. Dick Cavett was amazed at Allen's capacity to write: "He can go to a typewriter after breakfast and sit there until the sun sets and his head is pounding, interrupting work only for coffee and a brief walk, and then spend the whole evening working."[2. When Allen wrote for other comedians, they would use eight out of ten of his jokes. When he began performing as a stand- up, he was much more selective, typically using only one out of ten jokes. He estimated that to prepare for a 3. He enjoyed writing, however, despite the work: "Nothing makes me happier than to tear open a ream of paper. And I can't wait to fill it!

I love to do it."[2. Allen started writing short stories and cartoon captions for magazines such as The New Yorker; he was inspired by the tradition of New Yorker humorists S. Watch Evil Feed Online Etonline on this page. J. Perelman, George S. Kaufman, Robert Benchley and Max Shulman, whose material he modernized.[3.

Allen has published four collections of his short pieces and plays.[4. These are Getting Even, Without Feathers, Side Effects, and Mere Anarchy. His early comic fiction was heavily influenced by the zany, pun- ridden humour of S. J. Perelman. In 2. Allen released digital spoken word versions of his four books, in which he reads 7.

Grammy Award for Best Spoken Word Album.[4. Stand- up comedian.

From 1. 96. 0 to 1.

Sanjay Dutt Deserves Better Than This Mangled Mess. Cast: Sanjay Dutt, Aditi Rao Hydari, Sharad Kelkar. Director: Omung Kumar. Rating: One star.

Oh no, not another one! Haven't we had more than our fill of rape- and- revenge dramas this year? Following in the footsteps of Raveena Tandon's Maatr and Sridevi's MOM, Sanjay Dutt, in Bhoomi, replaces the angry mother figure with a provoked patriarch pushed to the wall by a crime against his daughter. If not wholly egregious, Bhoomi is a bad enough film to merit summary banishment. Sickeningly prurient, it goes off the rails at the very outset never to regain any semblance of sanity.

It is loud, violent, exploitative and completely hollow in its posturing against rapists. It is the sexually assaulted girl who is reduced to harping on her helplessness, facing humiliating questions in a courtroom and encountering situations - including a bunch cops sniggering at her plight - that paint her into a corner.

Main duniya ko nahin badal sakti, kanoon ko nahin sudhaar sakti, par sar uthakar jee sakti hoon (I cannot change the world or improve the law, but I can live with my head held high), she says to her distraught father. But her declaration turns out to be a whole lot of hot air, given the heightened state of emotional and mental disarray she slips into when the justice system fails here. Subtlety isn't director Omung Kumar's forte.

In Mary Kom and Sarbjit, which were no less melodramatic and strident, he at least had substantive stories to work with. In Bhoomi, he is stuck in a sludgy, slippery puddle that only gets deeper and messier as he bears down on it without let.

He serves up everything in abundance, be it crude humour, emotional distress or bloody backlashes. Bhoomi Movie Review: A still from the film. With the exception of her doting father and his inseparable drinking mate (Shekhar Suman), all the men around the heroine are either louts or wimps who give her no quarters as she pursues her dream of making it big as an independent wedding planner in a small town. The man she is engaged to, a doctor who loves her, turns out to be spineless mamma's boy. Bhoomi tells the dreadfully trite tale of an Agra shoemaker who goes on a killing spree when his idyllic existence is shattered. He has good reason: his daughter is gang- raped on the way back from work a day before her wedding. But that doesn't quite explain why the film has to go so completely haywire.

Riddled with predictable tropes and overrun by sexist cliches, Bhoomi proffers little that makes sense. The father, a docile gentleman up until the film's halfway mark, files a police complaint and seeks legal help but fails to secure justice for the girl. So, with no option left, he mutates into an unstoppable demolition man and, with the rape survivor by his side and egging him on, takes the law into his own hands and goes hammer and tongs at the culprits. Bhoomi takes its title from the name of the principal female character who seems like a pretty strong- willed woman to begin with.

But once Vishal (Puru Chibber), the man whose advances she spurns, decides to gang up with a vicious cousin, Dhauli (Sharad Kelkar), and teach her a lesson, she loses her composure in the face of severe trauma. The film is unabashedly 'masculine' in its approach to the notions of crime and comeuppance. The methods that the father and daughter duo employ to settle scores borders on the crass and ludicrous. Not long after the heinous act is committed, the film cuts to a titillating item number featuring Sunny Leone in the guise of a bar dancer.

If the purpose of the song is to underline the ugly mindset of the rapists, it isn't really served. The raunchy number is a titillating interlude, just another crude example of women being objectified for mass consumption.

In his first screen role since playing the robust Bhairon Singh in Rajkumar Hirani's PK, Sanjay Dutt is called upon to project a virile persona once he gets into mission mode, but his transformation from an ordinary man to an invincible crusader stretches credulity beyond snapping point. Omung Kumar has a terrible record when it comes to casting actresses. He is the man who passed off Priyanka Chopra as Mary Kom and Aishwarya Rai as Sarabjit Singh's indomitable sister Dalbir Kaur. Both were disasters.

He gets it right for once. Aditi Rao Hydari slips into the skin of her character rather smoothly. She makes a fair fist of the assignment - in the early scenes as well as in the post- rape sequences. Unfortunately, the film's focus is squarely on the male lead and his machismo. Bhoomi Movie Review: A still from the film. Little else in Bhoomi, with the exception of Sharad Kelkar in the guise of a brute of a man who throws his weight around with impunity, passes muster. Even if you are in the mood to support Sanjay Dutt's 'comeback' film, Bhoomi is best given a wide berth.

The actor definitely deserved better than this mangled mess of a movie. Bhoomi is an unmitigated cinematic boo- boo, a sad apology of an anti- rape movie.